Shani is swallowed by the chaos of objects displayed online - by the magnificent and the pathetic beauty, by the voracious, seductive, ever-available flood of eBay and other digital shops. Inflatable sex dolls from China, children’s toys, false eyelashes, household accessories.Shani is a poet of inflatable plastic. The plastic sings songs of loneliness and desire.These cheap, everyday materials, diverted from their original purpose, flirt with the body in their wretched yet exalted way, crossing continents and cultures, extracting a universal human voice - one that future archaeologists may recognize as among the defining tones of the second half of the twenty-first century.

Lihi Shani formulates a personal language through her use of mass-produced products, marking her identities by arranging objects and creating networks of meaning. Her wistful humor floats across the tiles and walls as an act of acceptance and love - for what time does to us and for what we do to it.